Petrus Christus
Flemish 1415-1473
Petrus Christus Locations
South Netherlandish painter.
His known artistic career began in Bruges on 6 July 1444 when, as the Poorterboek (citizens register) for that day reveals, he purchased his citizenship ... in order to be a painter. Town records show that he and his wife became members of the Confraternity of the Dry Tree c. 1462; that in 1463 he and another painter, Pieter Nachtegale, were paid for the construction of a Tree of Jesse (destr.) and for the cost of assistants employed on the day of the religious procession in which it was used; and that on 19 March 1472 he served as a representative of the painters guild in a dispute with another painter, Jehan de Hervy the elder ( fl 1472-1507). These and a few other scattered references comprise the existing documentation for Christusa life and work. Related Paintings of Petrus Christus :. | Petrus Christus | Sir Edward Grymestone | Portrait of a Lady (mk08) | Portrati of a Lady | Still Life with Wine and Smoking Implements | Related Artists: Lambdin, George CochranAmerican Painter, 1830-1896
American painter. He was a son of the portrait and landscape painter James R. Lambdin (1807-89), who had founded a museum in Pittsburgh in 1828 and directed the Pennsylvania Academy of the Fine Arts in Philadelphia from 1845 to 1864. George Lambdin studied with his father and began exhibiting at the Pennsylvania Academy in 1848 and at the National Academy of Design, New York, in 1856. In the mid-1850s he travelled, probably to Munich, Paris and Rome. His early works were sentimental genre paintings, the best known of which are Our Sweetest Songs (1857; New York, N. Acad. Des.) and the Dead Wife (The Last Sleep) (exh. 1858; Raleigh, NC Mus. A.). The latter was shown at the Exposition Universelle in Paris in 1867 together with one of his depictions of a Civil War subject, Consecration, 1861 (1865; Indianapolis, IN, Mus. A.). In 1868-9 he was at the Tenth Street Studio Building, New York, where he continued to exhibit anecdotal genre, especially childhood subjects, as in The Pruner (1868; Boston, MA, Mus. F.A.). He was elected an Academician by the Pennsylvania Academy in 1863 and by the National Academy of Design in 1868. In Germantown, after a short trip abroad in 1870, Lambdin turned to floral studies, especially of roses from his own garden. Some of his floral still-life subjects were conventional table-top arrangements in glass or ceramic vases, but most were paintings of blooming plants and shrubs as they grow in nature or in garden pots, their foliage and blossoms silhouetted against blue sky or a neutral wall, as in Autumn Sunshine Nash, JosephEnglish, 1809-1878 Nathaniel Sichelpainted Arab Women on a Rooftop in 1843-1907
|
|
|